<a href="https://exhibitionistaspodcast.com/newsletter" target="_blank">SIGN UP</a> –Be the first to know next episodes, get BOOK RECOMMENDATIONS, juicy facts + useful links.Episode......................................................................Contemporary artist Ed Atkins’s survey at Tate Britain is best described as an existential theatre with avatars, CGI, motion capture technology, traditional figural drawing, Unreal Engine, filmed performance, experimental writing and much more. You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-) <a href="https://exhibitionistaspodcast.com/support-us" target="_blank">⁠⁠https://exhibitionistaspodcast.com/support-us⁠</a><a href="https://www.imby3.com/" target="_blank">Architect</a> and first-time guest on the podcast, Nick Taylor, and I, get lost, fall into the temporary exhibition through a faulty door, rush through the show to watch the timed film, return a second time because one of us went to Tate Modern first, discuss exhibition-visiting methods, critique wall texts, and reflect upon our own relation with time, narrative, devotion and death.If you enjoyed the episode, you may enjoy my essays on Substack: <a href="https://joanaprneves.substack.com/" target="_blank">⁠⁠https://joanaprneves.substack.com⁠⁠</a>Across all technologies, we've asked the same questions: …are we spectators or actors? …contemplative or engaged? …are images and the people in them dead? …and if so, why are they moving (both as a verb and an adjective)?Hailed as a pioneer of digital technology, Ed Atkins' work found its groove in early experiments with video-editing. These quickly migrated into the world of gaming, with its motion capture and CGI animation, and their striking similarity with live performance through timed duration, but with a complicated relation with the physical world and real, fleshy bodies. For behind the scenes clips and visuals follow us on <a href="https://www.instagram.com/exhibitionistas_podcast/" target="_blank">Instagram</a>: @exhibitionistas_podcastWe discuss: #parenting, #audience #engagement, #theatre spaces, fear, #vulnerability, #narrative building, #virtual realities, #self-representation, #identity, spatial dynamics, #modernism, #existentialism, #mortality, #parenthood, #theatre, #experimental film, emotional detachment, #intergenerational connections, #illness, #family dynamics. Instagram:   @exhibitionistas_podcast  Bluesky: @exhibitionistas.bsky.socialWebsite: https://exhibitionistaspodcast.com Chapters00:00 Introduction and Setup02:31 Memories of Tate Modern07:07 Pivotal Moments in Ed Atkins' Career14:03 A Few Points Of Reference For Ed Atkins' Work18:21 When The Artist Writes Their Own Wall Texts22:35 Narratives On And Off The Screen(s)27:17 The Exhibition as Experimental Writing32:07 Narrative Building in Art Experiences37:33 Theatre Without Actors41:03 Self-Representation and Identity in Art46:19 Spatial Dynamics and Human Scale in Art53:23 Modernism and Its Absence in the UK55:31 Life As Utter Devotion, Art As Its Awareness 01:02:36 The Disconnect Between Generations in Art01:07:18 Reading Emotion: Ed Atkin's New Film With Real Actors01:11:40 The Journey Through Illness and Art01:16:51 The Mysterious Case of the Disappearing Spectators01:22:16 OUTRO About us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.

Ed Atkins’ Performing Avatars–Generative Technology in Contemporary Art–Tate Survey Exhibition