So you've got a script that involves a bit of close mic work and some really brash and loud dialogue. How should you tame those nasty peaks but at the same time maintain a good level for the softer bits without compression?

Plus we dive into the...

So you've got a script that involves a bit of close mic work and some really brash and loud dialogue. How should you tame those nasty peaks but at the same time maintain a good level for the softer bits without compression?<br /><br />Plus we dive into the mailbag, and things get very silly...<br /><br />This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at <a href="https://www.spreaker.com/show/4953861/advertisement">https://www.spreaker.com/show/4953861/advertisement</a>

How to record dynamic reads.. And we check the mailbag